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A New Digital Aesthetic The conventional viewpoint on digital video has been that it will eventually replace film as the popular moviemaking medium. For years, industry experts have predicted that as the technology improves, sprockets will disappear. Although the current trends Read Article	A-B roll editing technical discussion of the process of A and B roll editing, checkboarding and splicing for 16mm film Read Article
About That Interview I have written about how to prepare for interviews and what to do at interviews, but there are three additional points to keep in mind during and after the interview. Read Article	Actors in Future Projects Read Article
Actors in print media, sports and music Read Article	Adapt and Overcome You will be facing many challenges that you never expected. You will have to overcome them to get your project completed. Read Article
After the Interview There are two possible outcomes to any interview - either you get the job or you don't. If you get the job, it's time for celebration. You should treat yourself to a gift, go out to dinner with a friend, or do something else to congratulate yourself, beca Read Article	Agency Packaging Talent Agencies will sometimes buy off on your project if they can submit a cast package deal. This will involve providing actors only if they can have others actors from their agency work on the same project. Read Article
Agent's and Manager's Needs Read Article	almost Production Journal 7/14. Michael gets word from SFX expert. He also tries to obtain a list of insurance providers and contact a friend to UPM, AD or Produce. Read Article
Are Screenplays Literature? Although today recent movies such as In the Bedroom, You Can Count On Me, The Shipping News, Ghost World and Apocalypse Now Redux all have had their scripts published, screenplays were rarely published when I was a young writer learning my craft in the 19 Read Article	Are Screenplays Literature? Part Three The argument in favor of screenplays being literature must begin with a reminder: not all novels or poems or stage plays are considered to be "literature." Read Article
Are Screenplays Literature? Part Two The argument against screenplays being considered literature begins with this: a screenplay is not a literary document because it is not written primarily to be read. It is written to be produced. Read Article	Artistic Choices When bringing stars on board they will request to make changes to your project that they feel are better or make them more comfortable. You need to make quick decisions to determine if you will agree and will accept the changes or insist to keep your vis Read Article
Assigning Jobs on your Production Who to choose and where to put them in your production. Read Article	Audio Timecode Dr. Fred Ginsburg, CAS discusses SMPTE audio timecode (TC) and if it is necessary in a film production. Denecke slates, Fostex DAT or Nagra and NLE are covered. Read Article
avid secrets connecting to avid's online bulletin board for avid users with first class software. Read Article	Before you Ship preparing exposed footage after shooting for shipment to the film lab, instructions for processing and contacting the lab. Read Article
Before Your First Interview Before you go through an actual interview, you should first go through a rehearsal interview. Ask a friend, family member or neighbor to play the role of the interviewer. By doing this you'll place yourself at the cutting edge of the job hiring process be Read Article	Being Fuid and Flexible You will have to find your comfort zone. You can not rule in absolutes and will have to make compromises. Make sure you are comfortable with them and ready for them when they happen. Read Article
Boom Techniques Another great article by Dr. Fred Ginsburg, CAS that covers the practical and technical details on boom mic techniques for movie production sound tracks. Read Article	Brainstorming for strengths and weakness Read Article
Breaking into Film Finding a job in the film industry is like trying to find a sunken vessel lost at sea: it is not only difficult it's an art. This is because the movie making business is a hidden market. Employers and employees rely on reputation, word-of-mouth, and netwo Read Article	Budget and Scheduling The basic steps in pre-production are outlined, including hiring a unit publicist, drafting the budget and bringing associate producers onboard. Read Article
Business Choices Read Article	Camera Testing The importance of and methods involved in testing your film camera for scratching, registration and light leaks. Read Article
Can you Fund a High Quality Promo? Read Article	Canon XL1 audio Recording sound with the Canon XL1 as well as an indepth explanation of the sample frequency rates (16-bit, 48kHz and 12 bit 32kHz) and their relation to digital audio. Read Article
Career Research: What Do You Want to Be? Indeed, there are hundreds of hardworking, talented and creative people for every actor in front of the camera. These people include set painters, electricians, sound recordists, makeup artists, film editors, publicists, Read Article	Cast Packaging Read Article
Casting Greg Pak, independent director extraordinaire, takes us through the basics of casting. Greg discusses the process of matching actors together for chemistry, materials and exercises for making good choices for the roles in a film. Read Article	Casting Directors Read Article
Charge! (on the Credit Card) Production Journal 7/11. Yes, that's "Charge!" as in credit cards. Michael struggles to find film financing from friends and relatives and find the remainder of the crew. Read Article	Citizen Screenwriter What responsibilites, if any, does the screenwriter have to the society at large? What does it mean to be a "citizen screenwriter"? Read Article
Closing the Deal The Deal is not complete until it is closed. Make sure you know all the terms and conditions of the deal when you close it. Read Article	Completion Guarantor Letter of Intent One of the most crucial parts of your project will be the financing instruments. You must have a firm grasp of what each document entails and the ramifications of each and how it will be met upon completion of the project. Failure to understand these full Read Article
conform from NLE guidelines to insure frame accurate match-back from NLE: FLEX or FTL files, editing on "A" frames, cut lists, EDL and effects (fades & dissolves). Read Article	Conforming from Video essential guidelines for match-back from video to film: cut list, video reel length, continuous time code, academy leader, effect duration, opticals and video EDL. Read Article
Creating your Production Timeline How to set a timeline for your project Read Article	Creating your Shot List A primer taking your script from narrative work to planned shot instructions for your crew and actors. Read Article
Crew Expectations what an experienced film crew expects of a new director; includes shot instructions, rehearsals, blocking, calling action, lunch breaks, etc. Read Article	Crew Positions- Reality and the Set How best to keep your crew focused on thier jobs. Read Article
Crewing Up Production Journal 10/27. Our fearless director, Michael, finds himself doing all the work yet being rewarded with dog-life devotion from his crew. Read Article	Damn, Damn, Damn Production Journal 7/9. Michael begins casting and discussing the script with potential crew members. Read Article
Deal Memos The all important deal memo and how it relates to working on a non-union film shoot. Employment contracts, enforcement and possible traps to avoid. Read Article	Dialogue dialogue definitions are discussed: lip sync, wild sync, production dialogue, ADR and looping. Sound track building is also addressed. Read Article
Digital Advantages As a smart filmaker you can successfully make a feature length film and have it shown in large theaters. The modern digital age has leveled the playing field for filmmakers. Read Article	Digital Video overview of the differences between digital video and film, advancements and limitations of digital camcorders and a comparison to 16mm film. Read Article
Digital-Film Formats With each passing day, there seems to be more and more confusion as to what format independent filmmakers should be shooting on. It used to be quite simple but now the field is so muddied and confused. This article will sort it out! Read Article